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jonathan twingley

Jonathan Twingley is an American artist who I found in instagram.

Jonathan's bio state's that he studied at New Yorks School of Visual Arts - as did Olivier Kugler. Although Jonathan and Olivier's work is individually unique, there's a sliver of similarity that runs through both - particularly Olivier's earlier work (a similarity that can be traced back to Alan Cober).

Jonathan's work utilises distortion and multiple view points to create images that are at once realistic representations and expressive, almost cartoon depictions of busy inner-city spaces.

Often created in collections and based upon a unifying rule based approach ('drawn on location from memory' and 'everything at once') Jonathan's work is brave and a fantastic example of an artist who has stepped away from the pressure to produce a 'good drawing' in the traditional (boring?) sense.

Jonathan's work has been a real inspiration to me and whilst I have adopted a relatively accurate drawing approach in 'Waiting' my recent sketchbooks will show scattered examples of Jonathan's influence bleeding onto the page.
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One thing to do when drawing at the Museum of Natural History here in Manhattan is to choose a room (ideally, a room with one of the grand old worn wooden benches tucked away against one of the room’s walls where I can sort of hide out for a few hours and not be a part of the exhibits as I look at them) and just DRAW, focusing on both the static animals and the in-motion patrons, the tourists and their children and the school kids and everybody else as they wander through the dimly-lit rooms, letting the animals out of their cages in my drawings. (EVERYTHING AT THE SAME TIME, June 5th 2018) • • • #fabriano #sketchbook #americanmuseumofnaturalhistory #drawing #drawingonlocation #everythingatthesametime #rhino #museum #newyorkcity #art #line #blackandwhite #watercolor #lamy #lamyaion #urbansketch #stilllife

A post shared by Jonathan Twingley (@jontwingley) on Aug 1, 2018 at 7:36am PDT

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